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James Gandolfini 1961-2013

on June 19, 2013

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Arrivederci, Mr. Soprano.

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Broadway's Back and So Is Hadestown

In front (L-R): Eva Noblezada, Andre De Shields, Reeve Carney, and in back (L-R): Patrick Page and Amber Gray in "Hadestown." Photo by Matthew Murphy. After a long 18-month intermission, Broadway is now reopening for business with old favorites such as "Hamilton," "Lion King," and "Wicked," resuming performances and new shows waiting in the wings such as "Mrs. Doubtfire," "Diana," and the revivals of "Company," and "Funny Girl" (with Beanie Feldstein) as the months progress. It's also the start of a new era as the theatre capital of NYC has promised to make progress in diversity, equality, and business in light of both the Black Lives Matter movement and the bullying behavior of now-disgraced producer Scott Rudin. This fall, there will be seven new plays opening on Broadway by black playwrights. The theatre is moving forward in these times. No more turning back to the past. For myself, I'm glad to

"Tootsie": New Heels on an Old Classic

In 1982, Dustin Hoffman showed the world that you can dress up as a woman if you need to take drastic measures just to get an acting job in New York City. Now, flash forward 37 years later, the theme of a man doing a woman’s job by dressing up as one really never gets old. Adapted from the hit film which starred Hoffman, the new musical comedy Tootsie arrives on Broadway with a new twist. Unlike in the film, which focused on a soap opera, this musical instead centers on a new Broadway musical (based on Romeo & Juliet) and the theater business itself. As a person who has seen the movie a lot, I’m shocked and surprised to say that this sweet valentine to these hard-working actors of musical theatre is more funnier and hysterical than the film that it was adapted from. When we first see Michael Dorsey (Santino Fontana, doing Hoffman’s role), he has a tough reputation as one of the most toughest actors ever to work with in the theatre, which ca

Why Do The Great Ones Die So Young?

A s of February 2nd, we lost another actor to apparent drug abuse. Philip Seymour Hoffman was an acclaimed actor of stage ( Death of a Salesman, True West ) and screen ( The Hunger Games: Catching Fire, The Master, Boogie Nights ) and a Oscar winner for Best Actor ( Capote in 2005). He was also a family man with three children. He was 46 years old. This untimely death leads us to the sad and sudden question: Why do actors under 50 sacrifice themselves to drugs and alcohol at the height of their fame? Last year, Glee 's Cory Monteith took his life away (31 years old) in a hotel room with a mix of heroin and alcohol and the year before, Whitney Houston had cocaine in her body which contributed to drowning death at the age of 48. Before that, there was Heath Ledger (28 years old) and Brad Renfro (25 years old) in 2008, Chris Farley (33 years old) in 1997, River Phoenix (23 years old) in 1993, John Belushi (33 years old) in 1982, Elvis Presley (42 years old) in 1977, Judy

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James Gandolfini 1961-2013

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